All posts filed under: A Closer Book

Behind the Book with Cherise Fisher

Behind the Book is an exploration into the other side of publishing; we speak with agents, editors, publicists, and other members of the publishing industry whose hard work contributes to the wonderful material we are able to read and recommend daily. It’s an open conversation on their individual careers, the state of the industry and its future potential. Our first installment is with Cherise Fisher, literary agent at Wendy Sherman. Her career spans over 25 years, including her time as Editor-in-Chief of Plume (an imprint of Penguin Random House). She has ushered into print such recent notable books as Rachel Rickett’s international bestseller Do Better (2021), Tia Williams’ novel Seven Days In June (2021), Maya-Camille Broussard’s Justice of the Pies (2022), Diane Marie Brown’s novel Black Candle Woman (2023) and a host of other spectacular authors. What was your first job in publishing? My first job in publishing was as the Assistant to the Editor of Chief of Delacorte/Dell. I started about two weeks after my graduation from college. Can you walk us through your publishing …

Gone Like Yesterday | Ten Questions for Janelle Williams

RAISING MOTHERS:     What inspired you to tell this story?  JANELLE WILLIAMS:     I was largely inspired by my obsession with music, specifically Black music. I also feel like there’s this tightrope that Black Americans walk. On one side, there’s fighting for the cause and uplifting the Black community at large. On the other side, there’s living a soft life and building generational wealth for your nuclear family. What happens if you’re pulled too far in one direction? Either way, you lose yourself. At least, that’s sort of what happened to Zahra and Derrick. Also, of course, my experience working with high school seniors on their college essays had a profound impact on the novel and the two central teenage characters, Sammie and Sophia. RAISING MOTHERS:     What did you edit out of this book? JANELLE WILLIAMS:     I added more to the book than I took out during the editing process. I added sections in the beginning of the novel to deepen the bond between Sammie and Zahra and to …

Ten Questions for Cinelle Barnes

RAISING MOTHERS:     What inspired you to tell this story? CINELLE BARNES:     My debut memoir came about while I was in the throes of postpartum depression and needing a repository for all the memories that started to well up when my daughter was born. I was in individual and group therapy, and in both, writing was recommended as a healing practice. I first tried writing for and to myself, with no intention of making the work public, let alone profitable. I began by writing on index cards every time I sat down to nurse my baby…a word, a line, a paragraph at a time… and by the time she was walking, I had three shoeboxes full of these index cards–what would become the synopsis and annotated table of contents for Monsoon Mansion.  RAISING MOTHERS:     What did you edit out of this book?` CINELLE BARNES:     After I signed with an agent, it took me another year or so to complete the manuscript. When the first round was done, my agent believed …

The Mamas | Ten Questions for Helena Andrews

RAISING MOTHERS:     What inspired you to tell this story?  HELENA ANDREWS:     “The Mamas” was born out of hilarity, frustration, and new mom exhaustion. When I had my first daughter in 2017 then joined the prison gang otherwise known as my neighborhood mom group, I could not get over how ridiculous and white everything was. Baby yoga? Music class for seven-week-olds? WTF and also sign me up. Since writing is the only way I know how to process things, including my personal struggle with this all consuming new identity, I began writing notes to myself about the entire experience of being an extra Black mom in gentrified spaces. I knew other women were having the same double-take moments but I’d never read anything about it, so I wrote it. RAISING MOTHERS:     What did you edit out of this book? HELENA ANDREWS:     Honestly? Not much. I’ve written four books now, including two of my own memoirs, and my literary motto is “leave it all on the page.” But because …

“We Called Ourselves A Movement” An Excerpt from LaToya Jordan’s ‘To The Woman In The Pink Hat’

Audio Transcript Leader Morris, Jada 10.16.2040 [Throat clearing.] …I guess a good place for me to start would be when I first saw you on the news. The station hid your identity, your face tiny brown, black, and gray boxes. Your voice staccato, like an old robot. You were already talking when we tuned in. I lost count of how many times I re-watched it, but I memorized every word of your interview. “I didn’t know they were stealing from these young girls. I would’ve never signed up if I had known. They told us these uteruses were donated from women who didn’t want children, women who wanted to help families, be part of history.” We were at our HQ in Brooklyn. It was this place that did self-defense classes and anti-violence workshops for girls, women, and anyone from the LGBTQI community. Crystal worked as the office assistant during the day, and she’d gotten them to give us the space for free after hours. There were 12 of us there. Damn, I really miss my …